Since her early editor days, the Marie Claire editor-in-chief Nikki Ogunnaike has enlisted one "low-effort, high-impact styling trick" every New York Fashion Week: "party pants" paired with a plain-Jane top. Fast forward to Spring 2027's season, and celebratory statement skirts are the new failsafe style on every editor's Fashion Month mood board.

Patterned, textured, and shade-drenched skirts have popped up on celebrities, fashion insiders, and showgoers alike. Where typical trousers or grab-and-go shirtdresses might've previously filled the NYFW seats, anything-but-neutral skirts sat in the front rows.

Skirts in every length, from mini to maxi, came in polka dot, plaid, and floral prints, making guests unmissable as they zoomed from one fashion event to another. Even Ogunnaike tapped into the trend, tucking a deep plum T-shirt into a tomato-red leather skirt before the Tibi showcase on Sept. 12.

Much like Ogunnaike, NYFW guests grounded the "out-there" skirt trend with everyday basics on top. Think: neutral T-shirts, simple sweaters, billowy button-downs, and even graphic tees. That way, party skirts could embrace their "life of the party" persona without competing with another maximalist must-have.

Apart from occasional pops of color or split-toe Tabi sightings, fashion people wore their daring bottoms with relatively understated shoes, too. On the off chance a showgoer doubled up on prints, textures, or tints, classic silhouettes (heeled ballet flats, knee-high boots, or Mary Janes) restrained the bold look.

Decorative elements ranged from colored leather and 3-D embellishments to fringe, feathers, and beads. There wasn't a leading length among fashion editors and enthusiasts either. While midi skirts exuded more "I mean business" energy, sidewalk-sweeping maxis brought a boho-chic charm to the cityscape, and minis were the ultimate party pieces (great for the after-hours circuit).

The trend caught the most attention in the front row. At Carolina Herrera, Camila Mendes tucked a timeless black turtleneck into a leopard-print maxi (matched to a clutch in the same pattern). For the '60s-inspired fit, the Riverdale actor opted out of "party" accessories, slipping on black kitten heels, a matching headband, and pearl earrings instead.

Minutes later, Jasmine Tookes and Pamela Anderson arrived at the Carolina Herrera soirée in floral-print skirts. First, the supermodel shade-matched her tomato-red turtleneck to the calla lilies on her asymmetrical pencil skirt. Meanwhile, Anderson wore the same top with an embroidered midi that looked more like a flourishing garden than a piece of clothing.

That's not to say the statement skirt trend was confined to the pre- and post-show style crowds. Inside Lincoln Center, for its spring 2027 collection, Carolina Herrera's Wes Gordon showed elevated evening-out skirts adorned from waist to hem in a conversation-starting print of some sort.

Over on Prabal Gurung's catwalk, Spring 2027 skirts didn't just play with proportions and shades. Some of the most interesting slips were partially transparent, too. On Sept. 14, LaQuan Smith got in on the statement skirt fun, dressing models in as much animal print as possible.

And just like that, New York Fashion Week has come to a close, but this season's street style trends can (and should) live on in your autumn wardrobe.

To start Statement Skirt Fall, shop the unconventional prints, hues, and silhouettes below. Then, beginning on Sept. 17, tune in to Marie Claire to see if the made-for-maximalists trend migrated to London Fashion Week.

Shop the Statement Skirt Trend Inspired by New York Fashion Week

Princess Kate and Princess Charlotte share a love for the arts, and the future Queen frequently brings her kids to experience the London cultural scene. From musicals to ballets and concerts, George, Charlotte and Louis have been treated to some world-class performances, and one West End actress revealed what happened when she met two of the Wales children in 2022.

Speaking to Hello! magazine, Zizi Strallen, who is currently starring as Glinda in the London production of Wicked, shared that the Princess of Wales made a sweet request on behalf of Charlotte when Strallen was starring as Mary Poppins on the West End.

"Kate brought Prince George and Princess Charlotte to see Mary Poppins,” the actress said. “They came backstage and she said to me: 'Would it be okay for Charlotte to have a cuddle with Mary Poppins?' I was like: 'Yes!' She wanted to hug me, which was really cute.”

Strallen added that she had another royal-adjacent visit the same day when Sir David Beckham turned up to a performance with his family. "It was a surreal day, because they came in the afternoon, and then David Beckham and Victoria came in the evening with [their children] Harper, Romeo and Cruz," she shared.

Her encounter with Princess George and Princess Charlotte wasn't the first time Strallen met royalty. In 2019, the actress had the chance to speak with Princess Kate for the first time during the Royal Variety Performance, but Strallen said her three sisters—who are all West End stars themselves—make fun of her for her reaction.

"My sisters take the mickey out of me for this, because there’s a video of me meeting Kate at the Royal Variety Performance in 2019; I'm dressed as Mary Poppins, and as she walks away, I do the most awkward little-girl wave," Strallen admitted. "I was bowled over by how tall, statuesque and stunning she was, and she and William were so normal."

Perhaps Charlotte can get another hug if she sees Wicked this holiday season.

Prince Harry is celebrating his 42nd birthday on September 15, but when it comes to a family party, don’t expect Prince William to be there. The brothers remain estranged, and as multiple experts recently told People magazine, that is unlikely to change anytime in the near future.

“It is keep calm and carry on,” royal author Simon Vigar shared when discussing William and Kate’s view on the Sussexes. “They see it as a sideshow and ancient history.”

Although the Duke of Sussex has publicly stated that he’d love to reconcile with his family, a palace source told the magazine that the Prince and Princess of Wales aren’t budging right now. “It was very hard on them, and I wouldn’t blame William for being cautious,” the insider said of their estrangement.

But Russell Myers, royal editor of the Daily Mirror and author of William and Catherine, drew a firmer line. “William’s view is clear—any relationship his father has with Harry or the Sussexes as a family is entirely up to him,” he shared. “But looking toward the future, he will have no relationship with them, in a working or private capacity whatsoever.”

However, he noted that as the future King, the Prince of Wales will have an expectation to interact with his brother in some capacity, especially now that they’re living in England again.

“William and Catherine can maintain that their focus has to be about them and their family, but there will be pressure on them about how they interact with Harry and Meghan and their family in the future,” Myers added.

Family events like Christmas at Sandringham could prove to be a sticky situation if King Charles invites the Sussex family to attend, making it difficult for William to fully avoid his brother. As royal historian Amanda Foreman noted, “At the moment, it has gone from being a hot war to a very, very cold war. But in a cold war situation, you still have to turn up to the Olympics.”

Following high-fashion premieres in Venice, Berlin, and Cannes, 2026's film festival circuit rolled out the red carpet in Toronto. Beginning on September 10, A-list appearances from Cynthia Erivo, Ayo Edebiri, and Penélope Cruz proved that Canada has just as much of a celebrity style scene as its European counterparts. In fact, the 2026 Toronto Film Festival is setting lofty standards for the New York Film Festival later this month.

The opening day of New York Fashion Week happened to coincide with Toronto's initial star-studded screenings. So, some of the festival's best fashion moments were (unintentionally) swept under the rug. But while VIPs found their front-row seats at spring runway shows from Tommy Hilfiger, Calvin Klein, and Carolina Herrera, Marie Claire kept one eye on the red carpet rotation up north.

The step-and-repeats started strong, thanks to early arrivals from Edebiri, Chase Infiniti, and Sarah Paulson. Edebiri, for one, stole the show at the Clarissa premiere, wearing Chanel's Fall 2026 Couture take on the black-and-white red carpet trend. Meanwhile, Infiniti's custom Louis Vuitton dress proved no color (not even mossy chartreuse) is too "out there" for her. Half a day later, Paulson played with proportions in a bubble-shaped gown by Danielle Frankel, the New York-based designer behind Jordyn Woods's wedding dress.

Now, if you've tuned into Marie Claire's previous red carpet coverage, you know the drill: From now until Sept. 20, we will update this post with the can't-miss celebrity outfits at the 2026 Toronto Film Festival. Keep scrolling for our (incomplete, but already top-tier) best-dressed list.

Penélope Cruz wearing Christian Cowan

After her style streak at the Venice Film Festival, Penélope Cruz delivered another round of applause-worthy attire in Canada. At the Bunker premiere, she styled a leather-and-lace gown beneath a shoulder-padded blazer, both from Christian Cowan's Spring 2027 collection.

Cynthia Erivo wearing Dior

Cynthia Erivo's weekend began at the 2026 US Open and Ralph Lauren's NYFW fête, but it ended in Toronto. The actor looked wickedly divine in a black-and-white, fur-trimmed coat from Dior's Cruise 2027 show.

Ayo Edebiri wearing Chanel

Ayo Edebiri's Chanel era is one for the books, but her custom gown from the brand at the Clarissa screening deserves its own chapter. Styled by Danielle Goldberg, the one-shoulder Couture Fall 2026 style evoked the surprisingly elegant look of distressed tweed.

Julianne Moore wearing Bottega Veneta

Julianne Moore's Bottega Veneta dress at The Debut premiere proved a sleek black slip will always be a foolproof red carpet pick.

Sarah Paulson wearing Danielle Frankel

Sarah Paulson shone the spotlight on Danielle Frankel's cool-girl wedding creations, including a structured, off-the-shoulder coat worn as a dress.

Issa Rae wearing archival Marc Bouwer

Issa Rae debuted one of the festival's most colorful looks at the Babies premiere. Turns out, the velvet, eye-squintingly tangerine gown was an archival Marc Bouwer pull.

Léa Seydoux wearing Louis Vuitton

Louis Vuitton's brand ambassadors are making this Toronto Film Festival a stellar one. Léa Seydoux channeled a modern-day Marilyn Monroe in a custom, belted column dress, matching opera gloves, and diamonds, of course.

Rooney Mara wearing Givenchy and Kate Mara wearing Dolce & Gabbana

Rooney and Kate Mara, sisters who star in Bucking Fastard together, sampled opposite ends of the red carpet styling spectrum. Rooney opted for a feminine babydoll dress by Givenchy, crafted from white lace. Meanwhile, Kate brought the drama in a black lace-trimmed bralette and a matching satin skirt.

Margaret Qualley wearing Chanel

Following Margaret Qualley's support of the barefoot Chanel sandal, her next Matthieu Blazy moment had big shoes to fill (or lack thereof). In Toronto, she stayed loyal to the creative director in a silky LBD, featuring the French fashion house's interlocked Cs atop each shoulder. She did, however, style shoes this time.

Lily-Rose Depp wearing Chanel

The Toronto Film Festival is quickly transforming into a Chanel showdown. Lily-Rose Depp wore a butter yellow drop-waist dress from the label's Fall 2026 runway show at the Alpha Gang premiere. The model's cap-toe pumps seem to be a Métiers d'Art Spring 2026 style.

Chase Infiniti wearing Louis Vuitton

Chase Infiniti, Seydoux's fellow ambassador at Louis Vuitton, made a case for a chartreuse-filled fall in a textured yellow-green dress. She accessorized with platform Louis Vuitton pumps and gold jewelry from Gabriel & Co.

Lisa wearing Louis Vuitton

Lisa's two-piece look at the Always Lalisa premiere was another red carpet win for Louis Vuitton. The leather opera gloves, studded silver choker, and free-flowing belt gave the chocolate brown velvet look pop star edge.

Gemma Chan wearing Calvin Klein

Gemma Chan's spaghetti-strap Calvin Klein dress was as classic as '90s-inspired minimalism gets—until she turned to the side, revealing scooped cutouts.

Queen Elizabeth’s love of horses was legendary. Whether it was going out for a ride, breeding horses or watching the races, there was nothing that she enjoyed more—and her passion for equestrian pursuits led her to one unlikely friendship.

As a California cowboy, horse trainer Monty Roberts never expected to become friends with the late Queen, but as his daughter Debbie Loucks tells Marie Claire, the two had much more in common than anyone expected.

Roberts died on July 31 after a career that transformed the equestrian industry, and his non-violent horse training methods attracted the interest of Queen Elizabeth, who invited him to Windsor Castle in 1989. Traditionally, horses were broken in and saddled by using force, but Roberts relied on body language and communication instead.

Loucks recalls her father admitting that the “only time” he felt extremely nervous was when he did his first demonstration for Queen Elizabeth and the Queen Mother. Roberts successfully saddled the horse, and Loucks shares how the Queen Mother had “tears forming in her eyes” when she greeted him.

“The [late] Queen came down right after the Queen Mum and said, ‘You know, that was incredible. Do another, do more,’” Loucks shares. And more is what Roberts did, staying on for a week to train even the largest ceremonial horses without using any force.

The two struck up a friendship that lasted three decades, and Loucks shares that her father was impressed by the depth of Queen Elizabeth’s knowledge of the equestrian world. “I think he was amazed by her horsemanship, amazed at how good she was at several things,” Loucks says. “She could really eyeball a horse, you know, she could really read a horse and she had an eye for confirmation. She had an eye for talent.”

The late Queen would often speak to Roberts on the phone, and he was one of the few people she’d take a call from no matter where she was—even if it was in a government meeting.

It was the late Queen who encouraged Roberts to write his first book, The Man Who Listens to Horses, and she was instrumental in getting his documentary, Shy Boy: The Horse That Came in from the Wild, produced.

“She was like, ‘Videos go away. Books are forever. You have to do a book,’” Loucks recalls. “She walked him into the publishers, said there must be a book. She went to the BBC, said there must be a documentary and that's how Shy Boy came about. You know, she was orchestrating this forward. She believed it.”

Roberts went on to write a number of other books on horsemanship, and his friendship with Queen Elizabeth was chronicled in the documentary The Cowboy and The Queen. In 2011, the late Queen honored Roberts as an honorary Member of the Royal Victorian Order.

Loucks recalls how Queen Elizabeth had a knack for naming not only horses, but all kinds of animals. “He always told little stories about how she named different animals and how they fulfilled that,” Loucks tells Marie Claire. Roberts had many deer living on his property, and he “used to tell deer stories all the time” to Queen Elizabeth, who loved exchanging her own tales with Monty.

After bottle-feeding a baby deer back to health, Roberts asked the late Queen for her advice on a name. “Dad finally went to her and said, ‘I've got to name the little baby deer and it's just so sweet, and here's some photos and you know, what do you think?” Loucks shares. “And she said, ‘Benediction. I’d name him Benediction.’”

When Roberts told Queen Elizabeth it was “a big name for a little deer,” Queen Elizabeth replied, "Well, you know, you Americans, you turn things into gangster names. You can call him Benny if you want to,” Loucks says with a laugh. “But that’s the other thing he loved about her, her sense of humor."

Today, Loucks is carrying on her father's legacy at the Monty Roberts International Learning Center, located at the California Horse Center in the Santa Ynez Valley. As well as offering online and in-person courses, the center "is a grand example of the most progressive thoughts in keeping horses healthy," Loucks says. "I'll use Dad's voice as a megaphone for that," she adds, noting that her late father's non-violent methods will be "the future for horses."

"Dad believes that as strongly as I do," Loucks shares.

Read Monty's Books

Duchess Sophie is visiting Zambia for a five-day tour, meeting with organizations to celebrate the relationship between the African country and the U.K., and she went for a bold color combination on day one of the trip.

Unexpected color pairings have been popping up everywhere lately, with stars leaning into Princess Diana-approved red and purple or other surprising duos like cobalt and butter yellow. But the Duchess of Edinburgh proved she was well ahead of the trend by choosing a lime green midi dress which she debuted in 2019.

Sophie has styled her ARossGirl x Soler dress in multiple ways over the years, but for her trip to Zambia, she wore it with a royal purple sash for a vivid pop of color. Although the duchess has been choosing the swishy short-sleeved dress for royal visits time and time again, it's also right on trend for 2026 with its chartreuse shade.

Sophie also pulled off some diplomatic dressing, as the bright green shade of her dress reflected one of the colors of the Zambian flag. She teamed the midi with one of her go-to pairs of espadrille wedges from Penelope Chilvers and some meaningful accessories.

The duchess purchased several pieces of jewelry from a local business during her trip to Kenya earlier this year, and she wore a pair of green beaded earrings by Nairobi-based Kazuri Beads on Monday. Sophie added a wide gold "Africa" ring by Giulia Barela Jewelry along with a floral-themed necklace and ring by the designer and her ever-present Asprey oak leaf bracelet.

Preventable blindness is one of the major causes the Duchess of Edinburgh supports, and she wore her green and purple look to the the Orbis Eye Health reception in Zambia's capital, Lusaka, before changing into a second colorful dress for her events on Tuesday.

Sophie wore a white Soler London maxi dress with a rainbow pattern of stripes, flowers and abstract shapes for a busy day of events on September 15. The duchess paired her dress with the same Penelope Chilvers shoes as she spoke with female business leaders in Zambia, visited a jewelry workshop and met with survivors of gender-based violence.

The duchess is passionate about supporting women who have been impacted by sexual violence in conflict, as well as domestic abuse, and she visited Imvelo Studios, where survivors use creative expression as a means of empowerment, healing and advocacy.

Shop Sophie's Look

Prince Harry is celebrating his 42nd birthday on Tuesday, September 15, and wife Meghan Markle posted a special Instagram Reel to pay tribute to her husband. Along with celebrating the Duke of Sussex’s big day, the video revealed some new glimpses at the family’s life in England after they moved back to the U.K. in August—and Princess Lilibet managed to steal the show with her sweet style.

“He’s simply the best. Happy birthday, my love ❤️,” she captioned the video, which was set to a cover of Tina Turner's “Simply the Best.” In the Reel, Lilibet, 5, and big brother Prince Archie, 7, join dad Harry for some outdoor fun, but most of the photos feature the princess, including a snapshot of her wearing a headband that pays homage to one of mom Meghan’s favorite activities.

In one photo, Meghan and Lilibet ride in a golf cart as Harry leans in and gives his daughter—who is wearing a bedazzled headband—a kiss. Lili’s knotted white headband features gemstones and Mahjong tiles, and it seems she shares Meghan’s love of the classic Chinese game.

Mahjong dates back to the 1800s and has experienced a rise in popularity in the United States in recent years, with the Duchess of Sussex having regularly gathered with friends to play in California. According to Hello! magazine, Meghan is now teaching Lilibet how to play the complex tile game.

Prince Harry’s birthday video also featured glimpses at some of the family’s other hobbies, including a photo of the duke skiing with Princess Lilibet and a snap of him driving an ATV with Archie, Lilibet, and a Union-Jack themed Marks and Spencer bag in tow as their dog, Pula, runs behind.

The video comes a day after Hello! revealed that Prince Archie and Princess Lilibet have left their new school in England after just two days.

A spokesperson for the family shared that traffic and logistical concerns with the school made it difficult for their security team to get the kids there safely, with a representative stating, “The decision for the children to move school was taken following a discussion with the family’s security team about the practicalities of their current arrangements."

The children are now settling into a different school that better suits their needs, with the outlet reporting that "Prince Harry was spotted settling Lili into reception and the couple have been added to the parents' whatsapp groups."

Shop Similar

At the 2026 Emmy Awards on September 14, the red carpet closed once Widow's Bay accepted the final trophy for Outstanding Comedy Series. But you should know by now (if you tuned into Marie Claire's previous Award Show coverage) that the style action continued at after-parties in Beverly Hills, L.A., and Hollywood. And just because celebrities debuted their second dresses beyond the confines of the Peacock Theater doesn't mean they don't deserve a round of applause, too.

HBO's A-list-only affair brought celebrities to West Hollywood's San Vicente Bungalows, a private club beloved by Selena Gomez, Hailey Bieber, Meghan Markle, and more. It seems Gomez (who wore a custom Louis Vuitton look at the 2026 Emmys) didn't grace the sage green carpet, but Odessa A'zion, Louisa Jacobson, and The Pitt's Supriya Ganesh and Shabana Azeez held down the fort.

Meanwhile, Disney hosted everyone from Shailene Woodley and Sarah Pidgeon to Kaia Gerber at downtown L.A.'s Vibiana. Woodley stacked a graphic tee over the Balenciaga Couture she wore to the 2026 Emmys; Pidgeon channeled her Love Story character, Carolyn Bessette-Kennedy, in a less-is-more little black dress; and Gerber made the night's debut in a sculptural skirt set.

Warning: FOMO lies ahead. Keep scrolling to give the best after-party looks at the 2026 Emmys their much-deserved flowers. Feel free to award your favorites an honorary trophy or two.

Kaia Gerber wearing Alaïa

While The Shards wasn't part of the 2026 Emmys circuit, Kaia Gerber wasn't completely absent from the red carpet. The actor arrived at Disney's party in a stark white bra top, a matching asymmetrical midi skirt, and black peep-toe mules.

Sarah Pidgeon

At the 2026 Emmys, Sarah Pidgeon's lilac Chanel dress was dripping in crystals and pearls. For the post-show soirée, the former Marie Claire cover star switched into a dance-floor-friendly LBD and peep-toe pumps. Luckily, her diamond necklace didn't go anywhere.

Shailene Woodley wearing Balenciaga

Shailene Woodley's Balenciaga Fall 2026 Couture pantsuit, with its cobalt blue bust and textured trousers, divided the award show viewers. She committed to the look at ABC's after-party, dressing the pants down with a graphic tee.

Joy Sunday

Joy Sunday, the star of HBO's Emmy-winning series DTF Saint Louis, was one of the only VIPs to test the naked trend this year. And she pulled it off spectacularly, with a bedazzled mesh slip dress with a mock neck and long sleeves.

Louisa Jacobson

First, Louisa Jacobson in Tom Ford won the unofficial trophy for "Best Suit at the 2026 Emmys." But The Gilded Age actor's royal purple velvet look at the HBO after-party deserves an honorary statuette, too.

Fiona Dourif

At the 2026 Emmys, Fiona Dourif's fuzzy Thomas Hanisch outfit earned her a spot on fashion director Sara Holzman's best-dressed list. The Pitt actor joined the post-show style scene in an equally textured, carpet-sweeping gown.

Shabana Azeez

The Pitt stars once proved they know how to serve looks outside of their costume scrubs. Shabana Azeez was the picture of effortless elegance in a delicately draped, mock-neck maxi dress.

Supriya Ganesh

Azeez's The Pitt co-star, Supriya Ganesh, switched her cool blue McQueen gown for something sultrier: a bedazzled black dress, featuring padded shoulders, a navel-length neckline, and a thigh-high slit.

Odessa A'zion

Known for debuting some of Hollywood's best all-black attire, Odessa A'zion styled herself in a witchy, belted maxi dress. Its sheer sleeves, plunging neckline, and thigh-high slit deserved a spot on the Practical Magic 2 press tour.

Chase Infiniti

Following a standout Louis Vuitton look on the red carpet, Chase Infiniti brought the lingerie dressing as her plus-one to the Netflix party at L.A.'s Chateau Marmont Hotel. Shiny black silk and semi-sheer lace paneling made it a perfect after-hours pick.

Jessica Williams

Tea-length looks had a moment on the 2026 Emmys red carpet, thanks to Ayo Edebiri, Dakota Fanning, and more. At Apple TV's after-party, Jessica Williams revived the dress trend in ruby red rhinestones.

The Gap x A.P.C. collaboration has been in the works for 20 years. Gap Inc. creative director Zac Posen is a longtime friend of Jean and Judith Touitou, the husband-and-wife co-founders of the French fashion brand. "It was not like a CEO calling another CEO saying, 'Hey, let's have a drink. Let's do a collab,'" Jean tells Marie Claire. "We come from very different places, but I think we shared an ambition to create a perfect wardrobe in the concept of clothes that you can keep."

From their friendship, Gap and A.P.C. debuted a 37-piece collection that blends the former's "heritage of modern American style" with the latter's "distinctive Parisian perspective and commitment to timeless essentials," according to Gap president and CEO Mark Breitbard in the press release. The result? Silhouettes straight from a French girl's wardrobe with an edgy New Yorker twist—ranging from $8 to $328.

"We narrowed down [the collection] to the essential of the essential," Jean, A.P.C's creative director, says. The stripes are "our signature in the collaboration," Judith, A.P.C.'s art director, adds.

After enjoying a "really nice drink" with Posen and Breitbard, Jean and Judith built a mood board of 1960s cinema, music, and art, which became the "bridge between our two brands," says Judith. "A lot [of inspiration] came from the movie world." Specifically: Dustin Hoffman in 1967's Le Lauréat (a.k.a. The Graduate). "For us in France, [that] really embodies American elegance," Judith adds.

They were also drawn to the French New Wave movement, pioneered by the French-Swiss filmmaker Jean-Luc Godard, known for films like the Jean Seberg-starring Breathless. Godard's spontaneous, lived-in style of cinema comes to life in a short film called The Long Way, directed by Karl Cannon. The five-minute-long campaign follows the collaboration's striped Breton shirts, denim mini skirts, and cargo jackets (or "what we call in France, the battle dress," says Jean) around the historic Montmartre neighborhood.

That doesn't mean the partnership revolves primarily around the Parisian brand's fashion vocabulary. Jean believes some underestimate the impact that American culture has had on fashion. When a 16-year-old Jean started curating his personal collection, he was drawn to American Army surplus stores. "There was nothing Parisian [about my closet], just English and American," he says. Now, the Gap x A.P.C. collaboration spotlights the best of both worlds.

It was important for Jean and Judith to maintain their label's "quality of fabric and precision of pattern making," so the collection was crafted with longevity in mind. "I know it's going to be in people's [closets] for at least a good ten years," Jean says. The denim, button-downs, and everyday basics were designed to remain as "reliable" after many washes as the day they were bought.

"With [Gap], it has been possible to reach an incredible quality of cut and fabric sourcing that is at A.P.C. level at a price that is not the A.P.C. price," he adds. For instance, the cozy cardigan is woven from 100 percent wool, and the jeans are made from cotton and Japanese denim; both retail for under $200.

Jean and Judith assumed that "[designing] clothes for such a wide audience [would] be a challenge," she says. "Jean and I are very idealistic people, so it's hard for us to compromise, but for this collaboration, there was none." The "positive energy" between both teams "made things happen that I really thought were impossible, like [designing] for a very affordable price," she adds.

The collection is mostly neutrals, another hallmark of A.P.C., which embraces the "kind of sobriety" that its "reduced color palette" brings. "To look a bit strict is what makes you elegant," says Judith. That elegance extends to the most casual pieces in the collection. "I like to educate people to be very, very sophisticated and elegant, even if they wear sweatpants," says Jean. "The art of mixing sweatpants and a tailored jacket, for example. This is where we, the teacher, can come in."

How to Style the Gap x A.P.C. Collection

Before trying the collection, I took notes like a diligent student. To style the Gap x A.P.C. ivory cable-knit cardigan—featuring ribbed collars and cuffs, statement buttons, and front pockets—I went with Judith's advice: "You wear it with your jeans, and you are very, very chic." After pairing the sweater with straight-leg jeans, I topped it off with the plaid blazer.

I then remembered to "avoid a lot of things rather than add" and exercised a "very strong will to edit" by saving the elbow-patched sport coat for a fancier affair. In terms of fit, I stayed loyal to my typical sweater size, but I'm considering testing a slightly oversized style in-store, too. That way, it could support the slightly baggy shape of the Gap x A.P.C. denim.

By the way, from the thighs onward, the jeans fit my curvy figure like a glove. The waistband wasn't as cinched as the denim I usually rotate between, but a brown belt to match my subdued accessories solved my problem faster than you can say fini.

When Judith and Jean proposed classic colors and silhouettes as the basis of the collection, they expected Gap to "look at us like minimalist Martians from Paris, which we are," Jean says. But these aren't outdated or predictable additions to a fall wardrobe. Instead, they're a master class in recreating the less-is-more looks you'd find in the cold-weather closets of Jane Birkin, Charlotte Gainsbourg, and, over in New York City, Carolyn Bessette-Kennedy.

Speaking of French fashion icons, Birkin and Gainsbourg influenced me to double up on Gap x A.P.C. denim, with blue jeans and a matching jacket. I was tempted to style the look with my tomato-red tote, but with Jean's voice, saying, "don't overdo it," ringing in my ear, I stuck to the same soft loafers and chocolate-colored bag instead.

This isn't the first time A.P.C.'s elevated basics have lent their French cool to another It brand. But unlike their smaller-scale collaborations with Asics, Marc Jacobs, and Katie Holmes, A.P.C.'s most mass-market partnership made Jean's dream of connecting with "[a broader audience]" come true. "What we achieved together was really amazing, and in my opinion, I've hardly seen that in the 30 years I worked," Judith says. What "started from friendship also ended with friendship."

The Gap x A.P.C. collaboration drops on September 18 online, at select Gap stores in the United States and Canada, and A.P.C.'s Mercer Street boutique in NYC.

Taylor Swift is more than a once-in-a-generation songwriter with a phenomenal voice. The pop star's cultural reach extends far beyond the mic, and her recent Emmy nominations make that clear. This year, Swift received a nod as both performer and producer on The Eras Tour: The Final Show. Though the Creative Arts Emmys confirmed ahead of the main ceremony that she didn’t win, the nominations alone speak to her talent. Still, fans hoping to catch her on tonight's red carpet at the Peacock Theater in Los Angeles were left disappointed when she skipped.

Instead, on September 14, Swift traded the step-and-repeat for a seat in the stands next to Tom Cruise at Kansas City’s Arrowhead Stadium, cheering on husband Travis Kelce in the Chiefs game. For the occasion, Swift slipped into a red-and-white plaid look, which is no doubt a nod to the Chiefs' official team colors.

While she didn’t make it to the Emmys this evening, Swift hasn’t missed out entirely on red carpets this year. On June 11, the "Opalite" singer arrived at the Songwriters Hall of Fame red carpet wearing a gorgeous Givenchy gown designed by Sarah Burton. Featuring a corseted bodice, a daring high slit, and a dramatic train that swept the floor, it commanded attention. Perhaps the most eye-catching detail, though, was the arrangement of embroidered florals scattered across the gown from top to bottom.

Stylist Joseph Cassell Falconer anchored Swift’s look with a custom black clutch and heeled sandals. Shimmering jewels—including Mindi Mond earrings, a Jessica McCormack tennis bracelet, and her custom Artifex Fine engagement ring—helped to pull the entire look together.

If this gown looks familiar to any of you fashion enthusiasts reading, it’s probably because you saw it on Givenchy's Fall 2026 runway during Paris Fashion Week earlier this year. However, the dress looked very different on the catwalk—it had a thigh-grazing hemline and was styled with floral over-the-knee boots.

Several months before her Songwriters Hall of Fame appearance, Swift had another major red carpet moment at the iHeartRadio Music Awards. There, she wore a custom pastel green Wiederhoeft set: a sequin-adorned corset and matching mini skirt. Falconer finished off the two-piece with satin sandals, a sparkly Spinelli Kilcollin tennis bracelet, and dazzling Dena Kemp drop earrings.

Between the corseted glamour of the Givenchy gown and the playful sparkle of the Wiederhoeft co-ord, Swift’s red carpet run this year has covered a lot of ground. Her style, just like her music, doesn’t stick to one lane. We’ll never know what she would’ve worn to the Emmys tonight, but if her track record is any indication, it would’ve been worth the wait.

The 2026 Emmy Awards are quite the occasion for Sally Field. The actor is nominated for her first Emmy in a whopping 17 years. On Monday night, she arrived at the ceremony as bright as the star she is, sheathed in a gown from Akris.

The Remarkably Bright Creatures actor, who was styled by Hayley Atkin, went simple in silhouette but made up for it with a bright and sparkly fabrication. In what was also her first major televised appearance since her Steel Magnolias co-star Dolly Parton passed away, Field rocked her gray tresses with a subtle side part, kept her specs on for the carpet, and accessorized with a satin Anouk Trapezoid Clutch from the brand.

Field's blue sequin gown at the 78th Emmy Awards falls right in line with her red carpet personal style, which we've seen over the last five decades. In its earliest iterations, she often wore sequins or at least shimmery fabrics. To this day, the 79-year-old actor tends to wear classic silhouettes on her big nights, but she'll zhuzh things up with light-reflecting finishes or sheer detailing.

This year, Field is nominated for Outstanding Lead Actress in a Limited or Anthology Series or Movie, her tenth Emmy nomination. Her fellow category nominees include Sarah Pidgeon, Sarah Snook, Claire Danes, and Carey Mulligan.

Field's Emmy Awards history dates back to 1977, when she won Outstanding Lead Actress in a Limited Series for Sybil. She went on to win again for a guest appearance on ER in 2001 and for playing matriarch Nora Walker on Brothers & Sisters in 2007.

Her 2007 Outstanding Lead Actress in a Drama Series victory also produced one of her more memorable Emmy fashion moments. Field accepted the award in a strapless fuchsia Valentino gown, accessorized with diamond jewelry and a metallic clutch.

She returned as a nominee for Brothers & Sisters in both 2008 and 2009, when she walked the carpet in black gowns.

Tonight, Field's acting nomination brings her back to the same category where her Emmy career began in 1977. Whatever happens this evening, we're thinking about Field's speech at the 2007 Emmys. Then, in one of the most astonishing moments in Emmy history, the actor, amid an ode to moms everywhere, said, "If the mothers ruled the world, there would be no [expletive] wars in the first place." The TV network censored her comment, but the internet remembers.

It’s easy to spot a Hollywood star with a strong sense of personal style. There’s a throughline connecting every red carpet look, a defining element that ties each ensemble back to the last. For Ayo Edebiri, her signature outfits feature whimsical silhouettes, sumptuous fabrics, and an aesthetic that reads playful and confident in equal measure. At this year’s Emmys, Edebiri stuck to her style playbook once again.

Tonight, the Bear actress arrived at the Peacock Theater in Los Angeles for her fourth Emmys appearance wearing a custom two-tone Chanel gown. The front of the dress featured a plunging V-shaped neckline and a billowing tiered silhouette. However, it was the back of her frock that truly stole the show with a gigantic bow. Stylist Danielle Goldberg completed Edebiri’s outfit with Mikimoto pearl rings and sparkly silver pumps.

For glam, Edebiri kept things sophisticated with pink blush, smokey eyeshadow, and berry-colored lipstick. To pull it all together, she whipped her braids into a sleek updo.

While Edebiri’s Emmys look this year is surely one for the books, her previous red carpet outfits deserve just as much attention. At the 2024 Emmy Awards, the star chose a breathtaking Bottega Veneta strapless gown designed with multicolored prints and a thigh-high slit. Goldberg elevated the look with black heeled sandals and chunky gold earrings that shimmered under the flashing paparazzi lights.

A glimpse at Edebiri’s red carpet style file reveals that the actress gravitates toward statement-making gowns. For the 75th Primetime Emmy Awards, Goldberg dressed the actress in a sculptural Louis Vuitton gown that had an avant-garde appeal. The unique dress boasted a cinched corset bodice that cascaded into a bubble-like skirt. Complete with diamond Brilliant Earth jewels and strappy black sandals, Edebiri’s outfit was certainly a look to remember.

Tonight’s dress may have stolen the spotlight, but Edibiri also has real stakes at this year’s ceremony. She’s nominated for Outstanding Lead Actress in a Comedy Series for her role as Sydney Adamu in The Bear. While we hold our breath to see if she takes home any hardware, we’ll be admiring her gown in the meantime.

Fresh off her front-row appearance wearing leopard print at Coach's Spring 2027 New York Fashion Week show, Elle Fanning showed up on the 2026 Emmy Awards red carpet (that's actually blue) in a shimmery sage dress, custom-made by Ralph Lauren.

The actor, who is nominated for not one but two awards on Monday night, has a history of leaning into Old Hollywood-esque glamour on her big red carpet nights. Fanning often opts for princess dresses, column gowns, and the like, but Monday night at the Emmys was a bit different. The actor, styled by Samantha McMillen, hit the Emmys carpet in a brighter, bubblier silk chiffon frock by the American designer. Fanning topped off the lustrous look with Cartier drop earrings.

Fanning is nominated for her work on Margo’s Got Money Troubles. The Georgia-born actor is up for Outstanding Lead Actress in a Comedy Series for playing the titular character on the AppleTV+ show, based on a book by Rufi Thorpe, as well as Outstanding Comedy Series as an executive producer. The show, which has a stacked cast with names like Michelle Pfeiffer and Nicole Kidman, scored eight nominations in total.

This is Fanning's second time attending the Emmys. She made her debut in 2022 as a first-time nominee for playing Catherine the Great in Hulu's The Great. Rather than turn to a traditional fashion house, Fanning had the show's Emmy-winning costume designer Sharon Long create her strapless black-and-pale-pink gown. The Old Hollywood-inspired look, with a floral bustier and cascading train, was handmade by The Great seamstress Catherine Shaw and styled by McMillen.

The Emmys go even further than Elle with her older sister, Dakota Fanning. She first attended in 2003 at the age of nine, when Steven Spielberg Presents Taken, in which she starred, won Outstanding Miniseries. She returned in 2018 to support The Alienist and, more recently, in 2024 as a first-time acting nominee for Ripley. Dakota is also nominated this year for Supporting Actress for All Her Fault and Outstanding Comedy Series for Margo's Got Money Troubles, on which she serves as an executive producer alongside her younger sister.

Expect to see more of Fanning as Margo onscreen... but maybe not until next year. The AppleTV+ series was renewed for a second season this spring, and it's not expected to hit streaming until 2027 at least. That's also when Fanning will next return to the silver screen for a feature film adaptation of Kristin Hannah's novel, The Nightingale, alongside Dakota.

Selena Gomez decided to switch things up in the beauty department for the 2026 Primetime Emmy Awards. The Only Murders In the Building star brought subdued, Earth mother glam to the red blue carpet this evening, with her dark espresso brunette hair tumbling down her back in soft mermaid waves. Her berry lip tint has already become my new fall beauty obsession, and her perfectly flushed cheeks were so romantic and pretty that I know I'm going to try to recreate it for work every day this week. However, Ms. Gomez can't show up to an awards show and not serve a look on her nails. For the Emmys this year, she turned, once again, to her longtime nail artist Tom Bachik, for a golden manicure that perfectly complimented her gilded gown.

“The inspiration was her Louis Vuitton gown," Bachik explained in a press release to media. "We loved the whole look. It was like frosted gold, so I wanted that same effect on the nail, a frosted metallic. Subtle but special. We played with different textures, and Gel by essie Frost Yourself was the perfect choice for Selena’s metallic frost 'Sunset' mani.”

To get the frosted look, Bachik started with a base coat to prolong the polish, and then two coats of Gel by essie Frost Yourself. He then finished with with Gel by essie Shiny Top Coat for "red-carpet luxe shine," and a swipe of essie On A Roll Apricot Cuticle Oil to keep the whole look elegant-looking and moisturized throughout the night. Nothing like a rogue hangnail to ruin the evening!

I know that I've been on the hunt for a subtle but not boring take on fall nail art, so the frosted sunet look might just be the perfect manicure to say "so long" to summer and welcome in the cool and crispy fall days.

Keep scrolling to snag everything you need to recreate Selena Gomez's 2026 Emmys manicure at home.

Get Selena Gomez's Emmys Manicure

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For her first-ever Emmys carpet, Sarah Pidgeon broke from her method dressing tributes to Carolyn Bessette Kennedy, whose personal style was famously minimalist. Instead of the mostly neutral wardrobe CBK was known for, Pidgeon opted for a lavender gown, embellished with crystals and pearls, by Chanel.

Many eyes on the Love Story actor may have expected her to continue her streak of nodding to the late Calvin Klein executive, but for her Emmy Awards debut, Pidgeon did the opposite... mostly. Her Chanel look, styled by Emma Jade Morrison, did give a hint of '90s restraint in its slip dress-inspired silhouette, but she ultimately leaned into her own thing with a bright color and over-the-top embellishment.

The Michigan-born actor topped off her jewelry-forward look at the 2026 Emmy Awards with a striking lariat necklace and strappy purple sandals, barely peeking out from beneath her hemline. Keeping with CBK's aesthetic, Pigeon left her brown roots peeking out from her hairline on the Emmys red carpet (that's actually blue).

Pidgeon's Emmy debut comes thanks to her performance in Ryan Murphy's Love Story: John F. Kennedy Jr. & Carolyn Bessette, where she portrayed the late Calvin Klein publicist who married John F. Kennedy Jr. and kickstarted a swath of '90s-related fashion trends.

The show, which came out in February, was a mix of biography and romance-drama about CBK and Kennedy Jr. in the '90s. It's nominated for a total of six Emmy Awards, including Pidgeon's first-ever nomination for Outstanding Lead Actress in a Limited or Anthology Series or Movie. Pidgeon's fellow category nominees comprise a mighty class, including Sally Field, Claire Danes, Carey Mulligan, and Sarah Snook.

The 30-year-old has had one hell of a year, from being able to walk down a New York City street unnoticed early in the year with Marie Claire's Halie LeSavage for her cover story to becoming practically a household name after Love Story. So many eyes are on her Monday, and it's no wonder she chose something bright and memorable for the big night.

It should also be no surprise that Pidgeon wore Chanel for her Emmys debut. The I Know What You Did Last Summer actor and Chanel ambassador has opted for the Matthieu Blazy-led label for many of her recent red carpets. Her most recent looks from the brand included a mint-hued, feather-trimmed tunic at the NYC Love Story premiere from the Métiers d'Art Spring 2026 collection and a light pistachio-colored '90s slip dress at a pre-Oscars dinner party.

After Monday night, Pidgeon is putting a pin in her CBK-tinged Love Story chapter and is diving into film. Amazon MGM Studios reportedly swooped in to recruit the actor for its forthcoming drama-comedy, dubbed Honeymoon With Harry, also starring Jake Gyllenhaal and Kevin Costner. Pidgeon may not be playing a style icon in this next moment, but who's to say what fashion trends she'll inspire through it.

On September 14, over a decade after Dakota Fanning made her Emmy Awards debut, she returned to the red carpet in a black-and-white dress. If only the actor's nine-year-old self could see her now: Not only was Fanning's All Her Fault performance nominated in the Outstanding Supporting Actress in a Limited or Anthology Series or Movie category, but she also delivered one of her best Emmy fashion moments yet.

One hour before the host Mariska Hargitay delivered her opening monologue, Fanning posed for photographers in a strapless black-and-white dress from Carolina Herrera's Resort 2027 collection. (The look revived the black-and-white red carpet trend endorsed by Zendaya, Selena Gomez, Charli xcx, and more early in the year.)

Its glossy corset boasted blink-and-you'll-miss-it waist pleating before turning white. Unlike her sister Elle Fanning's carpet-sweeping Ralph Lauren slip, the hem of her drop-waist skirt stopped at tea-length level, revealing criss-cross sandals beneath the black petticoat.

Her stylist, Samantha McMillen (the same creative behind Elle's Emmys look), took creative liberties in the accessory department. McMillen and Dakota traded the original pearl collar-style choker for a $35,000 lab-grown diamond necklace from Swarovski. The sparkler featured a trio of octagon-cut gemstones, bringing the total to 19.46 carats. The Emmy nominee kept the rest of her bling simple, styling a slim tennis bracelet with a single diamond ring.

Fanning's red carpet fashion has come a long way since her first Emmy Awards. At just nine years old, the star of Steven Spielberg Presents Taken (which won the 2003 Emmy for Outstanding Miniseries) stole the show in a bubblegum-pink-and-plum midi dress. Thanks to her bigger-than-the-trophy bow, Mary Janes, and bedazzled top-handle tote, Fanning would've won the Most Adorable Award, too, if the Academy of Television Arts & Sciences dished those out.

While her career certainly didn't slow down (in 2005, she played Tom Cruise's daughter in War of the Worlds, and in 2009, she voiced Coraline), Fanning didn't return to the Emmys until 2018. The sage green shade of her Dior Fall 2018 Couture gown seemed to inspire her jewelry: She coordinated emerald rings and drop earrings to match the hue of the criss-cross bodice, blink-and-you'll-miss-it belt, and perfectly pleated skirt.

Six years later, scoring a Supporting Actress nomination for Netflix's Ripley ended Fanning's most recent Emmys hiatus. In 2024, McMillen dressed the first-time nominee in a strapless Armani Privé Fall 2024 Couture gown. Starting at the dress's sweetheart neckline, the muted metallic gold silk was covered in a sheer overlay of pearls.

To accessorize the pearlescent look, Fanning traded a diamond necklace for bow-shaped earrings by the New York-based brand Joseph Saidian & Sons and a pearl Beladora ring.

Fast forward to the eve of the 2026 ceremony, and Dakota and Elle Fanning (who have never attended the Emmy Awards together) celebrated their nominations at a Beverly Hills bash hosted by W Magazine and Loewe. While Elle kept it classic in a little black scoop-neck dress, Dakota elevated fall's flannel trend in an asymmetrical mini from the brand. To finish the going-out 'fit, the older sister accessorized with pointy Christian Louboutin pumps and Loewe's celebrity-beloved Amazona Bag.

Whether or not the Fannings win big tonight, Elle and Dakota earned applause from Marie Claire editors the second they graced the red carpet. For another standing ovation, we'll just need a matchy-matchy style moment on the Emmys after-party scene, please.

Keri Russell is the definition of an Emmy Awards veteran, with Monday night marking her ninth time at the show. As one can only imagine, she knows her way around the red carpet. For this year's ceremony, the actor leaned into the element of surprise, straying away from the restraint of past looks and leaning heavily into edgy leather dressing.

The Diplomat actor—who’s nominated for Outstanding Lead Actress in a Drama Series at the 2026 Emmy Awards—wore a fully leather gown with a high-neck and column silhouette, custom-made by New York's cool girl brand Khaite. But as soon as Russell turned around on the carpet, she revealed the number is completely backless. While some of us were suspecting she'd do some form of method dressing or a callback to '90s looks, this feels fresh and unexpected.

For jewelry, Russell wore Buccellati: oval garnet-and-diamond Macri Color Button gold earrings and a tourmaline-and-diamond cocktail ring. Russell finished her look with a slicked-back low bun, vibrant drop earrings, and black stilettos matching her black leather frock.

It should be no surprise that Russell wore Khaite to the 78th Emmy Awards. On the eve of television's big night, the 50-year-old performer also rocked the New York-based label while attending Netflix's pre-Emmys party in Los Angeles, in an ensemble styled by Frank Fleming. The Cocaine Bear actor wore the brand's structured Salm dress, paired with a hardware-embellished clutch, also from the brand.

Despite this being Russell's ninth time at the ceremony and her eighth nomination, the actor has never won an Emmy. She went to her first-ever show in 1999. Back then, the Felicity star, who attended as a guest rather than a nominee, wore an appropriate (for the era) minimalist white strapless Armani gown.

It was years before the Television Academy granted Russell an Emmy nomination. She finally earned her first nod in 2016 for her role in FX's KGB drama series, The Americans, which also starred Russell’s partner, Matthew Rhys. For the ceremony that year, she wore a white shift mini from Stéphane Rolland with a trailing sheer train that showcased her strappy, gold heels.

Her most recent appearance was last year, at the 2025 Emmy Awards. While once again recognized for her work on The Diplomat, for which she has been nominated since 2023, she wore Armani Privé. The look—made up of a silk satin bow and velvet skirt—was not only striking. It was also a touching homage to the late Giorgio Armani. (The celebrity-beloved designer and a Russell go-to for red carpet looks passed away a few weeks before last year's ceremony.)

This year, Rhys is also Emmy-nominated for Outstanding Lead Actor In A Comedy Series for Widow's Bay and Outstanding Lead Actor In A Limited Or Anthology Series Or Movie for The Beast in Me. The actor-partners shared a few photos on the red carpet, preceding what could be history tonight: If both Russell and Rhys win, they’d be the first couple to both win an Emmy on the same night for two different shows.

The Diplomat is on the brink of its fourth season, which hits Netflix on October 15. In it, expect to see Russell's U.S. ambassador character dealing with fresh but familiar challenges at the nexus of, well, being a diplomat amid countries clashing and impending war. The new season also means that we should expect to see the actor on the 2027 television awards season circuit.

The best looks often come with a bit of method dressing, telling you something about the road that led people here. Over the years, the Emmys red carpet has given us Zendaya in Valentino’s enormous black ball skirt, Ayo Edebiri in sculptural Louis Vuitton, and, last year, Michelle Williams in archival Chanel.

The 2026 Emmy Awards nominees came with well-versed fashion résumés. Keri Russell, nominated again for The Diplomat, has spent years refining a straightforward approach to eveningwear, including the black Armani Privé she wore to last year’s ceremony. Zendaya, nominated for Euphoria, has spent more than a decade with Law Roach turning red carpet dressing into a sport in itself. Ayo Edebiri can make an awards-show arrival feel like a natural extension of the fashion show circuit.

Also on our radar: the women with less red-carpet history. Chase Infiniti is up against Russell, Zendaya, Carrie Coon, and Rhea Seehorn for Outstanding Lead Actress in a Drama Series, while A-lister Michelle Pfeiffer joins Hannah Einbinder and Meg Stalter in the comedy supporting actress race. With newer names in the mix, we get to watch an actor figure out what kind of fashion person she wants to be in real time.

After spending the past week at New York Fashion Week thinking about what clothes might matter six months from now, the Emmys offer a bit of instant gratification. We’re not looking for the biggest gown or the most recognizable designer, but clothes that feel specific to the woman wearing them, and to this particular moment in her career.

Below are our picks for the best-dressed stars at the 2026 Emmy Awards.

Grace Gummer Wearing Dior

The Love Story actress wore a strapless Christian Dior by Jonathan Anderson dress that swapped the expected body-skimming silhouette for generous volume, crinkled texture, and floral appliqués. It’s also the latest in a particularly good red carpet run for Gummer, who worked with stylist Nicky Campbell earlier this year on the cerulean Colleen Allen look that cleverly nodded to mom Meryl Streep’s Devil Wears Prada legacy. Dior Beauty kept the makeup glowy and pared-back, leaving her 1920s-inspired diamond choker and the dress’s oversized florals to do most of the talking.

Fiona Dourif Wearing Thomas Hanisch

The Pitt star, who earned her first Emmy nomination this year, chose a deep oxblood-and-black Thomas Hanisch look built around texture and sculptural draping. The fuzzy finish gave the rich red even more depth, while diamond jewelry and a structured black clutch kept the styling minimal—a fitting follow-up to Dourif and her Pitt co-stars' standout Emmy fashion last year. Her blunt micro bangs and graphic black liner only pushed the look further into slightly off-kilter territory—in exactly the right way.

Ayo Edebiri Wearing Chanel

Ayo Edebiri made a welcome return to the Emmys red carpet after skipping the ceremony last year. Working with longtime stylist Danielle Goldberg, The Bear star arrived in a two-tone Chanel gown that played with a fire-and-ice palette: icy blue ruffles cascaded down the front, while fiery orange draping and oversized bows brought the drama from behind. Metallic silver sandals finished the look.

It continued Edebiri's run as one of awards season's most reliable fashion players—and had a high bar to follow. At her last Emmys appearance in 2024, she landed on Marie Claire's best-dressed list in a custom, art-inspired Bottega Veneta gown.

Sarah Pidgeon in Chanel

Sarah Pidgeon has spent much of the year flirting with Carolyn Bessette-Kennedy’s minimalist fashion playbook, but for her first Emmys red carpet, she let herself have a little more fun. The Love Story star and first-time nominee wore a lilac Chanel slip gown with a low, draped neckline and strands of pearls, crystals, and charms spilling from its straps like jewelry built directly into the dress. It was a more embellished evolution of the ’90s-inspired Chanel slip dresses she’s gravitated toward all year, while still retaining the unfussy ease that has become something of a Pidgeon signature. With stylist Emma Jade Morrison, she’s built a red carpet run that stretches from Chanel to Balenciaga, and this felt like exactly the right moment to switch things up.

Keri Russell Wearing Custom Khaite

Keri Russell went considerably tougher for her ninth Emmys appearance. The Diplomat star wore a custom black Khaite gown cut from leather, with a high, scarf-like neckline and an almost entirely open back. From the front, the silhouette was spare; from behind, a small silver buckle at the waist was practically the only thing holding it together. Slicked-back hair, black sandals, and colorful earrings kept the styling just as straightforward. It’s a very Khaite way to do an evening gown—and a nice departure from the Armani Privé Russell wore last year.

Zendaya Wearing Custom Prada

Zendaya and Law Roach have reached the point where a great red carpet look is practically expected, but her return to the Emmys still delivered. The Euphoria star wore a custom Prada gown built on sheer tulle and dripping in crystals, which made the embellishment appear almost suspended against her skin. Roach layered on Mikimoto diamonds and pearls—while Christian Louboutin pumps disappeared beneath the gown. It was a more daring take than the black Valentino ball gown she wore to win her second Emmy in 2022, but no less considered: the kind of look that reminds you why Zendaya’s Emmys fashion has become an event unto itself.

Joy Sunday Wearing Dior

Working with stylist Darryl Glover, the DTF St. Louis actress chose a white crystal-studded dress with delicate straps, a loose blouson bodice, an embellished bow gathered low at the hips, and a thigh-high slit. The relaxed shape offset all that sparkle, while diamond drop earrings and Sunday’s close-cropped hair kept the rest of the look remarkably simple. With DTF St. Louis among this year’s most-nominated limited series, it was a fitting first Emmys look.

Eunice Bae Wearing Bill Blass

Eunice Bae made a case for going all-in on the Emmys red carpet in archival Bill Blass. The marigold yellow gown was covered almost entirely in feathers, with a plunging neckline and high-low hem that gave the volume movement. Rather than compete with it, Bae kept everything else clean: silver barely-there sandals, small earrings, an updo, and a red lip.

Supriya Ganesh Wearing McQueen

For Ganesh’s first Emmys as a nominee, she took a softer approach to Alexander McQueen. Working with stylist Amanda Lim, the Pitt actress wore a slim-strapped icy-blue gown that traded the house’s darker romanticism for something lighter and more ethereal. The pale color and clean neckline kept the look restrained, yet the sculptural draping made sure it didn’t disappear into the carpet. Under the transparent lower half, Ganesh wore Stuart Weitzman platform sandals.

Nicole Kidman in Chanel

Nicole Kidman went classic Chanel for the Emmys, working with stylist Jason Bolden on a white column dress that kept its interest in the details. The fitted, ankle-grazing silhouette was framed by an off-the-shoulder neckline covered in wispy feathered embellishment, bringing texture and movement to an otherwise spare shape. Black pumps provided a sharp counterpoint, while delicate jewelry, an OMEGA timepiece, and a loosely undone updo kept the rest of the styling minimalist.

Carey Mulligan Wearing The Row

Carey Mulligan and The Row are an unsurprisingly good match, but this wasn’t the anonymous luxury the brand has become shorthand for. Her strapless cobalt gown was traced with tiny white embroidery, giving the otherwise straightforward column silhouette an almost hand-drawn quality. A folded edge at the neckline and a flash of white at the hem were the sort of small, slightly odd details that made the dress worth a closer look. With swept-back hair and almost no visible jewelry, the Beef star wisely didn’t add much else.

Carrie Coon Wearing Maison Margiela

Carrie Coon went dark and brooding in Maison Margiela. Working with stylist Alicia Lombardini, The Gilded Age actress wore a long-sleeved black gown with a nipped waist and sweeping A-line skirt. A slim line of De Beers diamonds at the neckline and a few rings were all it needed. On a carpet full of feathers, crystals, and sheer dresses, the almost severe simplicity stood out (in the best way).

Chase Infiniti Wearing Louis Vuitton

Chase Infiniti’s relationship with Louis Vuitton has produced some of the year’s more memorable red carpet moments, and her first Emmys was no exception. Working with Wayman + Micah, the first-time nominee wore a custom strapless gown covered entirely in copper-toned beads, molded close to the body before flaring dramatically below the knee. The color was especially good—a rich, almost metallic departure from the softer shades she’s worn throughout awards season—and minimal jewelry left all that texture to do the work.

There's no better way to say goodbye to a character than with one final Award Season nomination. At the 2026 Emmy Awards, Zendaya could win her third trophy for Outstanding Lead Actress in a Drama Series for her performance as Rue in Euphoria. But because she's a red carpet regular, Zendaya already won the second her semi-sheer dress touched down at the ceremony in L.A.

After dressing Ariana Grande on the Eternal Sunshine tour and Naomi Osaka at the 2026 US Open, stylist Law Roach reunited with Zendaya. Beige illusion mesh served as the foundation of Z's plunging, carpet-sweeping style, crafted just for her by Prada. (How fitting, given the Prada Beauty ambassador jetted to the Emmys from the brand's New York Fashion Week pop-up.) From there, every square inch of the almost invisible base was dripping in crystals of all shapes and sizes. Zoom in to see that some of the sparklers boasted button backs, embellishments that perfectly complemented her Jessica McCormack engagement ring.

She frosted herself in diamonds and pearls from Mikimoto, the Japanese jewelry brand beloved by Emily Blunt, Jenna Ortega, Ariana Grande, and more for star-studded Hollywood soirées. "I loved the idea of taking something as timeless as Mikimoto pearls and making them feel fresh, modern and young," Roach said in the press release. "There’s an elegance to pearls that will always be classic, but the way Zendaya wears them tonight feels completely of the moment.”

To finish her Emmys ensemble, Roach wore a Rolex Lady Datejust Watch and shade-matched the gown's mesh to pointy satin pumps from Casadei (shockingly, she left her Christian Louboutins at home). Meanwhile, her Halle Berry-esque pixie earned the "Best Short Hairstyle" trophy from Marie Claire's beauty experts.

Zendaya's Emmy-winning streak has been one to watch: Before tonight, she was nominated—and won—twice for Euphoria. If only the Television Academy were dishing out Best-Dressed titles, too. The actor's debut Emmys dress in 2019—a custom Vera Wang gown—deserved applause for its sheer bustier, liquid-looking satin skirt, and glamorous emerald green shade.

Believe it or not, back then, Z's shade-matched stilettos—which emerged from beneath a thigh-high slit—were from the American shoe designer Brian Atwood, not Louboutin. To accessorize the strapless style, Cartier loaned her a diamond cuff bracelet and Panthère drop earrings, adorned with emeralds to complement the color of her dress.

Zendaya dressed up in 2020, too. Delivering her first Emmy Awards acceptance speech to a laptop (it was a virtual ceremony), the newly minted winner showcased a sneak peek of her custom Armani Privé gown. The black-and-white, polka-dotted skirt was so striking, not even a blurry camera lens could dampen it. It was the perfect look to make history as the youngest winner of the Best Actress in a Drama Series category.

Two years later, Zendaya scored her second Emmy trophy for Euphoria. But by then, her Award Season style had evolved. She stole the show in her most timeless red carpet look yet: a custom Valentino gown that ditched over-the-top design elements for a bow-tied bodice and a petticoated skirt that transformed into a carpet-touching train.

While the matching headband gave Zendaya's look a fresh-from-the-'50s twist, her diamond choker necklace and stud earrings, both by Bulgari, kept it classic for a red carpet.

Not only does Zendaya dominate the red carpet circuit at the Emmys, but she also goes all out for the after-parties. At previous post-ceremony soirées, she has worn brands ranging from Alexandre Vauthier to Balmain and Valentino as her late-night attire.

So, stay tuned to see how Zendaya's winning style streak continues after the curtains close on the 2026 Emmy Awards.

Since her breakout role in Hacks in 2021, Hannah Einbinder has cemented herself as one of Hollywood’s brightest rising stars. She took home the Emmy for Outstanding Supporting Actress in a Comedy Series in 2025, adding to a run that now totals five nominations in the category—including this year’s nod at the 78th Primetime Emmy Awards. But her ascent hasn’t stopped at the awards stage. Einbinder has also climbed her way into the fashion ranks, and her red carpet look this year is proof.

For her fifth Emmys appearance, Einbinder arrived at the Peacock Theater in Los Angeles wearing a black satin Calvin Klein two-piece. The co-ord featured a sleek bustier top with a white underlay and a matching column skirt.

Stylist Karla Welch rounded out the look with a bold diamond collar necklace.

To complement her gown, Einbinder opted for a polished glam moment with powdery blush and nude lipstick. As for hair, she allowed her strawberry blonde strands to flow freely.

“It’s really sentimental," said Einbinder during an E! interview while referencing the 2026 Emmys. "I feel like I've been reflecting on the past five years of doing this [and] the best moments that I have [are] when I connect with other actors because there’s so much love between all of us."

Einbinder is no stranger to Emmys nominations—or the ceremony’s red carpet. Last year, she slipped into a dazzling silver Louis Vuitton gown covered in floral embellishments, styled by Jamie Mizrahi. The dress stood apart with an asymmetrical neckline and a sweeping train, while pared-down accessories—onyx earrings and a simple silver ring—allowed the gown to take center stage.

The year before, the actress also chose Louis Vuitton, though her look was much different. Coated in a warm blush shade, her dress featured a draped neckline that swooped over her shoulder and a pleated maxi skirt that pooled at the hem. The dynamic layering and ruching gave the gown a sculptural appeal.

Whether or not Einbinder takes home her second Emmy this evening, she’s earned her spot on the best-dressed list. Tonight’s gown is a strong contender for the most captivating look yet in her red carpet style file.

Kristen Bell returned to the 2026 Emmys red carpet Monday night wearing a body-skimming white slip dress fitting of a rom-com series star. While Bell isn’t nominated individually for her performance as Joanne in Nobody Wants This this year, she is still among the night’s nominees: The Netflix hit is up for Outstanding Comedy Series, with Bell serving as one of its executive producers. This marks her third career Emmy nomination.

The ethereal Alberta Ferretti Resort 2027 look—featuring a pink lace-adorned, ruffled V-neckline—was styled by her longtime stylist Nicole Chavez. Bell completed the ultra-romantic, nightgown-esque dress with a shawl thrown to the side and tied at the neck with rosette detailing.

For jewelry, she opted for layers of dainty bracelets (including a hand chain extending from each wrist), stacked earrings, and cocktail rings. Bell left her hair in a half-up-half-down style, with wavy pieces that framed her face and added even more softness. Her luminous, fresh-faced makeup, which included a subtle eye and rosy lip, was done by Simone Siegl using L'Oréal Paris products.

The appearance comes one year after Bell earned her first two Emmy nominations for the show’s debut season, when she was nominated for both Outstanding Lead Actress in a Comedy Series (a win that went to Jean Smart for Hacks) and, as an executive producer, Outstanding Comedy Series (which The Studio secured).

At the 2025 ceremony, the presenter-nominee wore a custom Giorgio Armani Privé dress styled by Chavez. The backless design featured a black crisscross bodice with waist cutouts, slim straps, and a semi-sheer white silk-tulle skirt embroidered with sequins, beads, and crystals. Not only was the look an elegant choice for an important milestone for Bell, but it was also a touching tribute to Giorgio Armani, who passed away a few weeks before the ceremony.

While 2025 marked Bell’s first acting nomination and her return to the Emmys after a six-year absence, the Veronica Mars star is no stranger to the red carpet. In 2018, Bell attended on behalf of The Good Place in a white Solace London gown, paired with Forevermark diamonds.

She returned the following year for the 2019 Emmys wearing one of her most memorable awards-show looks: a sleeveless Dior Resort 2020 gown covered in multicolored rainbow beading and featuring a pleated skirt. Chavez styled both standout looks.

Last year’s Armani look continued a fashion partnership Bell had leaned into throughout the Nobody Wants This awards cycle, as well as her penchant for more statement-making looks, making tonight’s choice a more minimalist, feminine departure from the formula she established on the 2025 carpet.

Despite booking her first on-screen acting series, Barney & Friends, in 2002, Selena Gomez didn't walk her first Emmy red carpet until 2024. But at the 2026 Emmys on September 14, the Only Murders in the Building star debuted a Louis Vuitton dress worthy of a TV veteran who's done this for decades.

Gomez's stylist, Erin Walsh, has dressed the Rare Beauty founder for tonight's ceremony. One hour after the red carpet opened, all eyes went to her strapless mermaid style, sculpted from hundreds of metallic gold beads. Photos of the Emmy nominee's side profile showcased the beadwork's circular waist detail. The hemline stretched well beyond the carpet, concealing her shoes.

Gomez frosted herself in Tiffany & Co., the storied brand behind her wedding day bling. Opting out of a necklace, she instead chose Tiffany & Co. gold-and-diamond drop earrings, contrasting cocktail rings, and a $175,000 bracelet from the Bird on a Rock line. The newlywed's engagement ring, featuring a marquise-cut diamond designed by Abril Barret, remained unmissable on her left finger.

An executive producer of Only Murders in the Building, Gomez scored her first Emmy nomination in 2022, but her custom Celine dress swerved past the paparazzi cameras that year.

In 2023, she walked the red carpet in a custom Oscar de la Renta gown. For one of her first major award shows with Gomez, Walsh chose a strapless burgundy style sculpted from petal-shaped sequin arrangements. The black-bordeaux shade matched her Rene Caovilla sandals, Tiffany & Co. diamond necklace, and bold lip color, courtesy of her beauty brand, of course.

Eight months later, Gomez's performance in the Hulu series earned her an Outstanding Lead Actress in a Comedy Series nomination at the 2024 Emmys. (The WGA and SAG-AFTRA strikes pushed the 2023 ceremony to Jan. 2024.) The accolade ultimately went to Hacks star Jean Smart, but Gomez's Ralph Lauren dress won the pre-show step-and-repeat circuit.

It seems the Emmys gown might've been a trial run before her wedding to Benny Blanco: A year later, the American designer created her wedding dress, which also featured a halter neckline. (Similarly, Gomez's jewelry hailed from Tiffany & Co.)

Speaking of the wedding, Gomez made time to attend the 2025 Emmys two weeks before she said, "I do." Once again, she chose a custom Louis Vuitton column dress for the occasion, featuring an unconventional scarf-to-train-style detail. Once again, Tiffany & Co. loaned her a suite of diamonds and rubies.

Sadly, Only Murders in the Building just filmed its final season, meaning Gomez has only one more year to dazzle viewers at the Emmy Awards. Calling all casting directors: This is your sign to give Gomez the leading role in another multi-season series. We need to see her on every Emmy red carpet.

It's a family affair at the 2026 Emmy Awards. While Meryl Streep hasn't walked the red carpet yet (Only Murders In the Building scored five nominations, so the Emmy winner could surprise everyone any second now). But her daughters, Grace Gummer and Louisa Jacobson, are holding down the fort in red carpet looks that would make their mom proud.

Jacobson was the first of the family to arrive at L.A.'s Peacock Theater on September 14. The actor made her Emmys debut for The Gilded Age, an Emmy-winning series that earned another eight nominations this year. Edward Bowleg III, the stylist that dressed her for the 2026 Met Gala and the Vanity Fair Oscar Party, embraced Jacobson's masculine side with a black-and-white suit by Tom Ford, featuring a cropped blazer and tailored extra-long trousers. The jacket's white trim and asymmetrical scarf replaced a traditional Oxford shirt, a sleek switch that highlighted its padded shoulders and silk lapels.

To finish her first Emmys outfit, Jacobson accessorized with pointy pumps (blink and you'll miss them beneath her shoe-shielding hems), a diamond brooch by Tiffany & Co., and matching spiky earring studs.

Minutes after Jacobson warmed up the red carpet, Gummer picked up where her younger sister left off in black-tie attire by Dior. The Love Story star's strapless column gown channeled the nominated TV show's minimalist '90s style. But between the 3-D floral appliqués, the bubbled bodice, and the pleated texture, Dior's Jonathan Anderson gave the Carolyn Bessette-Kennedy-coded silhouette a red carpet-ready twist.

Only adding to the look's effortless elegance, a single string of ivory pearls cascaded down the side. Meanwhile, the same supersized flowers seen on her neckline returned to the opposite side of the skirt.

Dior Beauty brought Gummer's glowy, less-is-more makeup look to life, but her 1920s-inspired choker necklace was on loan from Boucheron. Its diamonds were as eye-catching as the rest of the actor's sparklers: subtle stud earrings and her radiant-cut engagement ring.

It's been a minute since Gummer and Jacobson have reunited on the red carpet; three years, to be exact. Back in December 2023, the sisters and their Oscar-winning mother coordinated all-black attire for the third annual Academy Museum of Motion Pictures Gala. Clearly, an affinity for colorless looks runs in the family. While Streep and Gummer kept it classic in long-sleeve, high-neck dresses, Jacobson's carpet-sweeping style boasted metallic silver embroidery.

Both Gummer and Jacobson presumably secured their seats inside Peacock Theater by now, but all hope for a sister photo op isn't lost. Perhaps they'll end the evening at the same star-studded after-party. If anyone can convince Streep to get in on the fun, it's her daughters.

Grace Kelly died 44 years ago, succumbing to injuries from a car crash on September 14, 1982. Although her life was cut short at just 52, Princess Grace of Monaco’s legacy lives on, both in terms of her classic Hollywood movies and her fashion. Kelly’s jewels might not have always been the flashiest, but she focused on “thoughtful, versatile” pieces, as Justin Daughters, managing director at vintage and antique jewelry retailer Berganza, tells Marie Claire.

“It says a great deal about a person's style that, 44 years after her death, we're still discussing Grace Kelly's jewelry in the present tense,” Daughters says. Whether it was her original engagement ring or a simple strand of pearls, the princess didn’t rely on “the biggest or the most fashionable option available,” he notes.

“In many ways, Grace Kelly understood quiet luxury long before we had a name for it,” the jewelry pro says, adding that she leaned toward "restraint, quality and pieces chosen with a genuinely considered eye.”

When Prince Rainier III of Monaco proposed to the Hollywood star in 1956, he gave her a relatively restrained eternity band featuring rubies and diamonds to represent Monaco’s flag. It was quickly upgraded to her famous 10.48-carat ring, the style she famously wore in her last movie, High Society.

“Emerald cuts are especially appealing because their appeal comes from the proportions of the cut and high-quality stones themselves, not the amount of sparkle they have,” Daughters says of the ring. “This is exactly the type of design that ages well because it does not depend on trends that are going to fade away soon.”

But even though her second engagement ring was enormous to say the least, Daughters says the Cartier design still managed to feel effortless.

“Grace had an understanding that good jewelry should enhance the wearer and not dominate,” he shares. “She could wear a significant piece without allowing it to become the entire focus of an outfit, which is a difficult balance to achieve and one that still feels incredibly sophisticated today.”

Princess Grace didn’t wear a tiara for her wedding day, instead opting to wear an intricate lace Juliet cap with her veil. But she did wear several tiaras over the years, including one that she received as a wedding gift: the Bains de Mer Tiara.

"The Cartier piece was designed with diamonds and ruby cabochon floral motifs, with elements that could be detached and worn afterwards as individual brooches,” Daughters says of the design, which, like her first engagement ring, represented Monaco’s national colors.

“That kind of thoughtful, versatile design is exactly what antique jewelry specialists and collectors continue to value,” Daughters says. “It demonstrates that even an important ceremonial piece can be designed with longevity and wearability in mind.”

Because of the timeless aspect of most of her pieces, Princess Grace’s jewelry has continued to stand the test of time. “What connects Grace Kelly’s jewelry and, I believe, makes her jewelry collection resonate so much with people even today, is that everything she wears seems to be carefully selected rather than simply accumulated,” Daughters says.

Last weekend, when fall fashion reclaimed its rightful place in my closet, I realized I was not ready to put away the summer’s leading—and coolest!—color combination: red-and-purple. Nor do I need to: Recent runway shows and celebrities, ranging from Dua Lipa to Prada, convinced me to skip the “see you next year” pile and save myself from another September of styling beige, black, and white on repeat.

Neighboring shades on the color wheel create some of fashion’s most interesting combinations. Nowhere was that more clear than on the Spring/Summer 2026 circuit, where Carolina Herrera, Stella McCartney, and Prada taste-tested cherry and grape together. More recently, Valentino, Chanel, Lanvin, Mugler, and CFCL cemented the pairing’s spot in my regular autumn rotation, but not before VIPs like Lipa, Zoey Deutch, and Lupita Nyong’o proved the fresh-from-the-runway pigments shine on the street style scene, too.

Sure, red-and-purple looks might secure finger claps at New York Fashion Week, but what about my midwestern stomping grounds? While my colleagues are at NYFW this week, I tested the pairing in the land of (sometimes boring) black-and-white dressing.

The Red-and-Purple Color Combination Trend

At the beginning of 2026, I added “experiment with color combinations” to the top of my fashion resolutions list. I hoped the reminder would widen my wardrobe to include some of the season's biggest color pairings like pale pink-and-tangerine orange, cobalt blue-and-butter yellow, and strawberry red-and-purple. Thanks to endorsements from my favorite designers and fashion girls alike, my makeshift style resolution of sorts worked.

Wearing red and purple is nowhere near a novel outfit formula: Decades after Princess Diana endorsed the color combination, it resurfaced—via a crimson wrap coat and violet maternity dress—in Meghan Markle’s circa-2019 royal closet. That same year, Victoria Beckham pulled off a lavender-and-tomato look, courtesy of her London-based fashion brand. By 2022, the creative director proved the coupling is surprisingly Posh Spice-coded, wearing a cashmere grape sweater with fire hydrant red leather pants at Saint Laurent’s Paris Fashion Week show.

Fast forward to 2026, and red-and-purple outfits sprouted everywhere from the Cannes Film Festival to New York City. Back in May, Lipa accessorized an eggplant-tinted dress from Ferragamo’s Fall 2026 collection with the Hug East-West handbag in “Flame Red” for the film festival in the South of France. Less than a month later, Deutch made herself a purple-and-red sandwich, featuring a royal purple cardigan and tomato red trousers, both from High Sport, while promoting her newest film in the Big Apple.

How I Style It

For a look that’s as effortless as black-and-white that I’m accustomed to, I stacked a purple piece on top of red bottoms à la Deutch. I’m really loving lavender as a summer-to-fall hue, so I shade-matched the striped cardigan around my waist to a short-sleeve cashmere sweater from Anthropologie. Thick tomato-red bands smoothed the contrast between the light lavender and the asymmetrical midi skirt from Old Navy. (I’m planning on pairing the two-sweater set with red denim fresh from Deutch’s press tour wardrobe, too.)

I completed the look with a suede top-handle tote by Mark & Graham in an almost identical color to the skirt and my beloved Gap barn jacket. I grounded my otherwise out-there look with the coat’s espresso-brown corduroy collar and matching Madewell loafers.

Inspired by Lipa’s more elevated maximalist look in Cannes, I wanted to see if these It colors could pass the wedding guest test. (The pop star’s Ferragamo ‘fit would’ve promised her the best-dressed crown at any ceremony.) This time around, a watermelon-squeezed, drop-waist dress from Hutch served as my foundation shade, one that earned the endorsement of my cousin, whose wedding I’ll be attending next month. Not only did the bride-to-be give an additional thumbs-up to my plum bucket bag by Cuyana (an A-lister-beloved brand), but the smooth leather shade is also surprisingly close to the colors of her wedding bouquet.

While Lipa saved room for heeled mules in her French Riviera suitcase, I’m putting comfort—and the high-vamp flats trend—first in ballerinas by J.Crew. They’re the same tomato-red tint as the Grammy winner’s accessories, except more dance-floor-friendly and under $150. However, I could also get away with Katie Holmes’s recent take on the red-and-purple trend (square-toe block heels at August’s Michael Kors soirée) and walk away just as blister-free.

Just as I suspected, this color combination trend isn’t reserved for summer styling. Thanks to today’s trendsetters (and their “not-just-neutrals” approach to fall fashion), red-and-purple is the new black-and-white in my cold-weather wardrobe.

Bella Hadid missed Coach's Spring/Summer 2027 runway show at New York Fashion Week, but that didn't stop her from celebrating the brand's 85th birthday. The supermodel waited until September 14 (the fifth day of NYFW) to deliver her present: Hadid's everyday bag endorsement of the Coachtopia Alter/Ego.

It's been two years since Hadid's latest NYFW appearance (her horse show was the Spring 2024 circuit's unofficial grand finale), but her sister, Gigi Hadid, has been holding down the fort. Last week, the Guest In Residence founder opened Tommy Hilfiger's spring fashion show in the street style scene's leading color trend.

The Ôrebella founder announced her arrival in New York in a perfect-for-fall layered look, featuring a white T-shirt as her foundation, the flannel shirt trend, and a brown suede jacket. She paired the trio of tops with cuffed dark denim, a tomboy trucker hat, white socks slipped into Uggs' Classic Ultra Mini Boots, and Coach's slouchy shoulder bag.

Both the boots and the bag felt especially on-brand for Hadid, but let's start by breaking down the patchwork shoulder piece, shall we?

Saving her Coach Brooklyn, Chelsea, Empire Carryall, and Tabby Bags for another day, Hadid debuted the newest addition to her ever-expanding collection. The New York-based brand's sustainable line, called Coachtopia, designed the single-strap style out of "soft leather and suede scraps left over from the making of Coach bags."

The $295 zip-top tote's mismatched exterior makes it one of the most unique purses in Hadid's closet, second only to the Alter/Ego Hobo Bag crafted from the same recycled checkerboard leather. She showcased the latter back in Oct. 2024.

As for her boots, it's no surprise that Hadid wore Uggs while traveling to NYC. Over the years, she has worn the brand's shearling-lined shoes inside too many airports to count.

Much like her Coach Alter/Ego, the Classic Ultra Mini seems to be a newcomer to her shoe rack. She has previously styled the Classic Ultra Mini Platform, the calf-length Classic II Boot, and the Classic Micro. Hadid stayed loyal to the brand's signature chestnut shades.

While you await Hadid's next street style sighting (or the end of her six-year NYFW hiatus), treat yourself to the fashion girl-tested travel uniform for fall: comfort-first Uggs and a statement-making Coach bag.

Shop Coach Bags and Ugg Boots Inspired by Bella Hadid

Prince Harry and Meghan Markle have pulled Prince Archie and Princess Lilibet out of their new school in England after just two days, according to a new report from Hello! magazine. The Duke and Duchess of Sussex made the choice to switch schools due to “heavy traffic” and security concerns getting there, per a representative for the Sussexes and a friend of the couple.

The Sussex family moved from Montecito, California to an undisclosed home in England on August 26, and plan to stay in the U.K. for an extended period of time as their children attend a local school. While the family didn't announce where Archie, 7, and Lilibet, 5, would be educated, the children have already moved to a new school.

“It’s a real shame, because they absolutely adored the school, the kids and their parents,” a friend of Prince Harry and Meghan's told the media outlet, describing the educational facility as “perfect for them in every way.”

“They really wanted to make it work, but they had to make a difficult decision based on the fact that the team couldn’t make the school run operationally secure," the source added.

Royal editor Emily Nash of Hello! wrote that the long distance between the Sussex family's home and the school, along with "heavy traffic," contributed to their "small, private security team" being challenged on the school run. "One incident made it difficult for their vehicles to stay in convoy, which raised further concerns," she added.

A representative for the duke and duchess noted that the unnamed school isn't to blame, adding that Archie and Lilibet received "exceptional care" during their short time there.

“The decision for the children to move school was taken following a discussion with the family’s security team about the practicalities of their current arrangements," the rep noted.

According to Hello!, Archie and Lilibet attended a "taster session" at a new school on Monday, September 14. "Prince Harry was spotted settling Lili into reception and the couple have been added to the parents' whatsapp groups," Nash reported.

Meanwhile, Meghan shared a glimpse at their new life in England on Sunday, posting an Instagram Reel featuring scenes of them fishing, riding bikes and taking walks in the woods as the duchess splashed in muddy puddles.

Katie Holmes experiences New York Fashion Week like a fashion editor, zooming from runway shows to VIP parties with just enough time to change outfits. Much like Marie Claire's editor-in-chief, Nikki Ogunnaike, Holmes carved out time in her NYFW calendar for the 2026 US Open. On September 13, Holmes channeled a fresh-from-fashion-week editor—in the trousers-and-loafers uniform—at the men's singles championship match.

Before Ben Shelton competed against Alexander Zverev on tennis's biggest stage, Holmes and her rumored boyfriend, Jason Bard Yarmosky, arrived at Arthur Ashe Stadium in matching black-and-white looks. Opposite Yarmosky's button-down and barrel-leg bottoms, the Dawson's Creek star styled an ivory crewneck sweater with cropped black trousers and Gucci horsebit Jordaan Loafers.

The classic loafers have remained in Holmes's regular rotation since 2016. At this point, it's tradition for her to wear them with shorter pants. That way, the Italian label's iconic, circa-1953 motif isn't buried beneath extra-long hems. As recently as last April, she briefly took a break from her go-to look, and wore black leather loafers with a red-and-blue midi skirt from Target collaborator Rosie Assoulin.

Whether they're khaki or black, square-toe or horsebit-adorned, Holmes has been wearing trousers with loafers for years. This NYFW, her day-to-night uniform is, once again, getting plenty of street time outside runway shows.

One guest paired almost identical pants with a tomato-red graphic tee (the season's leading color trend is everywhere, too), an oversized blazer, and ruched leather loafers. Meanwhile, another show-goer chose a chunkier penny pair to elevate the office-ready energy of their taupe, double-breasted pantsuit.

The loafer trend isn't the only Holmes-supported shoe taking over NYFW's street style circuit. Peep-toe pumps, Mary Janes, heeled flip-flops, and high-vamp flats are sharing the spotlight outside spring runway shows, too. Holmes even debuted Calvin Klein's take on the latter trend herself. While you await her next Fashion Month-friendly footwear endorsement, shop similar trousers and loafers below.

Shop Trousers and Loafers Inspired by Katie Holmes

No one pulls off British countryside fashion like Princess Anne, and the Princess Royal showed off '70s-style trousers and a gorgeous paisley scarf as she enjoyed an adorable day out in the Cotswolds over the weekend.

Anne, who has served as patron of the International Sheep Dog Society since 2007, leaned into crisp, classic pieces as she attended the organization's annual competition, held at Daylesford Organic Farm from September 11 to 13. The Princess Royal paired a navy blazer and white button-up with a pair of tan windowpane-check trousers, adding a blue scarf with a paisley pattern to her autumnal outfit.

Paisley has been everywhere in 2026, whether it was summer's boho trend or the bandana-style scarves that went viral this spring. But Anne's take is a more traditional, pashmina-like style (raise your hand if you ever bought one on a NYC street corner in the early 2000s). The chance of the Princess Royal having snagged hers from Canal Street is essentially zero, but those of us who have some paisley pashminas tucked in the back of their closet can rejoice in knowing they're cool enough for royalty.

Queen Elizabeth's only daughter finished off her outfit with her signature sporty sunglasses, wearing an amber-tinted Adidas pair she's owned for years.

It's unclear if Anne's trousers were an actual vintage piece, but she's been known to dig deep into the archives for her no-nonsense working wardrobe. Whether it's a dress from the '70s or one of Queen Elizabeth's coats, Anne goes for quality pieces that will last forever—much like her father, Prince Philip, who was still wearing his 1947 wedding shoes in 2011.

Last week, Princess Anne stayed true to her fashion philosophy while attending King Harald of Norway's funeral with Prince William, wearing a 57-year-old gold ribbon brooch she's owned since she was a teenager.

As for her day out in the Cotswolds, the Royal Family shared a series of photos from the event, captioning the post, "A round of a-paws for this year’s winners of the International Sheep Dog Trials! 🐾"

"As Patron, The Princess Royal attended the event hosted by the International Sheep Dog Society, which works to support the training and welfare of sheep dogs," the post continued. "Her Royal Highness met team members from across the United Kingdom, watched qualifying runs and presented awards for the contribution to sheepdog trialling."

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At the 2026 US Open, celebrities like Michelle Obama, Martha Stewart, and Katie Holmes embraced the "smart casual" dress code. So, Dakota Johnson waited until the tournament's final day to restart Flannel Girl Fall in Arthur Ashe Stadium.

On September 13, while Sandy Liang, Todd Snyder, and Magda Butrym debuted their Spring 2027 shows at New York Fashion Week, Johnson traded the front row for a seat at the men's singles championship between Alexander Zverev and Ben Shelton.

Not a single trademark of the tennis-core aesthetic (think: pleated skirts, collared dresses, or polo shirts) was part of her first US Open outfit since 2013. Instead, she wore a lace-trimmed camisole, the perfect straight-leg pair of Levi's 501 jeans, black ankle boots, and a lived-in flannel thrown over her shoulders.

To finish her outfit, the Materialists actor stayed loyal to the accessories she wears on L.A.'s street style scene: crystal-adorned Valentino sunglasses, her beaded necklace stack, Jessica McCormack earrings, and Chloé's Château Treasures Chain Flap Bag. Johnson carried the boho-chic crossbody (which abided by the US Open's bag policy) all weekend long, but it's been in her closet since last summer.

Sure, flannel shirts aren't season ticket holders at the US Open, but the fall favorite always returns to celebrity closets right about now. Back in the day (translation: 2015), Johnson garnered a bicoastal affinity for plaid pieces.

Luckily for her (and the flannel shirts that might remain in her archives), everyone from Chanel and Valentino to Vivienne Westwood and Polo Ralph Lauren embraced similar grunge styles as high-fashion fixtures for Fall 2026. The latter label even paired the moody, made-for-fall print with black leather boots à la Johnson.

Sadly, the 2026 US Open has come to an end, so fashion girls didn't have a chance to follow her lead at Arthur Ashe Stadium. That's not to say flannel shirts are completely absent from New York City's street style circuit. At NYFW, the sidewalks outside spring runway shows are flooded with the checkered button-down.

Lila Moss even wore a similar style in Calvin Klein's front row. At the same time, Tibi, Tommy Hilfiger, Monse, and more presented it as a trend to try next spring.

Not only did the flannel shirt renaissance earn Johnson's endorsement, it's taking over NYFW, too. So, what are you waiting for? Shop the plaid pieces below.

Shop Flannel Fall Outfits Inspired by Dakota Johnson

Prince Harry and Meghan Markle moved back to Britain at the end of August, but the Duchess of Sussex has remained quiet about their major news until now. On Sunday, September 13, the Duchess of Sussex shared an Instagram Reel showing off some highlights from their new life in the English countryside, and she looked the part in two pairs of designer rain boots.

Meghan wore a quilted brown Cuyana coat and chocolate Le Chameau Jameson wellies as she held hands with Prince Harry in the video, which showed various glimpses of the Sussexes and their children, Prince Archie, 7, and Princess Lilibet, 5.

The duchess, who often goes barefoot in her Instagram posts, traded her sunny California lifestyle for some rainy English weather, sharing a clip of herself splashing in a puddle wearing a pair of jeans tucked into olive Le Chameau Vierzon boots in the Reel.

The brand's "Iconic Green" boots are also favored by Princess Kate, who has worn a slightly different Vierzonord style over the years.

The rest of Meghan's Reel shows Lilibet and Archie enjoying the British outdoors, with the duo fishing in a rowboat with dad Prince Harry and riding bikes as a herd of deer runs past.

While the Duke of Sussex has announced some upcoming charity events in the U.K., Meghan appears to be hanging close to home at the moment.

“There is a lot to do," a source recently told People. "They have just moved halfway across the world, and it’s been really busy getting the kids settled. Their focus has been on that, and will remain on that, for the time being. They are happy to be back.”

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Indiana Fever guard Caitlin Clark has spent the past few years making 30-foot three-pointers look routine. Now, alongside partner Nike, she has designed a shoe that allows her fans to try to do the same.

After Clark debuted the Caitlin 1 ahead of the Indiana Fever’s game against the Atlanta Dream on June 18, 2026, the sportswear giant has now revealed the full collection surrounding the basketball star’s footwear. Built around the speed, range, and confidence that have come to define her game, the line includes the Caitlin 1 sneaker alongside a broader collection of performance and lifestyle apparel.

“A lot of thought and time has gone into this shoe,” Clark said in a statement. “I never thought I would have my own signature shoe, and now that I do, it’s pretty special.”

Though instantly statement-making in six bold colorways—ranging from cobalt blue and lemon yellow to lilac and fiery orange-red, each drawing from moments from Clark’s upbringing and career—the silhouette is performance-driven at its core. A new Nike Opticast upper uses cast polyurethane nodes to deliver support, with a textured 3-D pattern inspired by the ripple of a three-point arc. A forefoot Air Zoom Turbo unit and Cushlon foam midsole add responsiveness and lightweight cushioning.

Clark’s stamp is all across the sneaker. Her jersey number, 22, and the symmetry of its repeated digits recur across the silhouette. The Opticast nodes form a series of C’s along one side of the shoe and repeated 2s along the other. Her CC logo appears twice—on the tongue and beneath the arch, a wink to her reputation for shooting "from anywhere"—while stacked Swooshes echo the repetition of her initials. The outsole is stamped with Clark-coded slogans including “Shoot More Threes,” “From Anywhere,” and “It Was Never a Long Shot,” while a shiny bumper plate finishes the heel.

Even the sock liner is autobiographical: a cement-inspired print references the childhood driveway court where Clark spent hours honing the long-range shot that would eventually become her calling card.

“I hope every boy and girl put this shoe on and hope that they can have a signature one day,” Clark said of the style, which will be available in both adult and kids’ sizing, “or that they can go on the court and make 35-foot threes.”

The Caitlin 1 arrives as part of a broader 18-piece apparel collection developed to mirror the footwear. The offering includes Nike's cooling-technology Aero-FIT performance pieces, alongside new Standard Issue Stretch separates, marking the first time the brand’s Standard Issue styles have been brought specifically to womenswear.

Jackets, graphic sweatshirts, T-shirts, and other off-court staples carry over many of the same personal details. Quotes appear on hoods, pocket linings, and backs; suede-finished labels mimic the worn surface of a basketball; and concrete-like finishes on drawstring tips nod back to the cement court where Clark learned to play. There’s also a reinterpretation of a Nike pinstripe look Clark has previously worn: a laser-cut, perforated tracksuit finished with a subtle CC logo. "I can’t wait to share this moment with so many people,” Clark said of the collection release.

The Nike Caitlin 1 shoe and apparel collection launches globally on October 1 on Nike.com and at select retailers.

Jennifer Lopez can regularly be found hitting the gym, which means she has an extensive closet of workout clothing. In fact, the superstar has been known to use a $29,000 Hermès Birkin as her gym bag on occasion. But for an outing this weekend, the Marry Me star opted for a Valentino bag paired with the jelly shoe trend.

Lopez was spotted in Santa Monica wearing a skintight brown catsuit, which she accessorized with a Valentino Garavani Panthea Embellished Patchwork Leather and Suede Shoulder Bag.

The bag features a chevron patchwork-style design and two straps, one metal and one studded leather, and retails for $3,800. As usual, Lopez's gym bag choice was completely chic and exceedingly enviable.

Along with a pair of white socks, J.Lo also wore the perfect pair of sneakers, which tie into the ongoing jelly shoe trend.

In fact, Hailey Bieber recently showcased a pair of Nike sneakers, which embodied a jelly shoe sneaker hybrid. Now, Lopez appears to be hopping on the very same trend.

Unfortunately, the Maid in Manhattan star's exact Nike sneakers, which feature a jelly shoe cage to hold the laces, have long since sold out. The Nike Air Presto x Off-White sneakers still trade hands on resale sites, which is a testament to Virgil Abloh's design aesthetic.

Although they're a little different, the Nike Air Presto by You Custom Shoes contain a similar jelly cage, meaning fans of the style can embrace the hybrid sneaker trend.

Even though summer's over, it seems that the jelly shoe trend is running straight into fall.

Shop Jelly Shoe Hybrid Sneakers